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A propos de l'inutile en architecture
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ISBN: 9782296553385 2296553389 Year: 2011 Publisher: Paris: L'Harmattan,

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Out there : architecture beyond building
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Year: 2008 Publisher: Venezia : Marsilio,

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Le Corbusier : synthèse des arts, 1945-1965
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ISBN: 3433022488 Year: 1986 Publisher: Berlin Wilhelm Ernst & Sohn

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Will Alsop 1990-2000 : [book 2].
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ISBN: 1856692795 Year: 2002 Publisher: London Laurence King

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Addition : a folio of 20 silkscreen prints which when assembled form a print 1525 x 1120 mm
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ISBN: 090450378X 9780904503784 Year: 1986 Publisher: London : Architectural association,

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Strange networks
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ISBN: 9780847869411 Year: 2020 Publisher: New York : Rizzoli International Publications,

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Strange Networks debuts a new body of artwork and studies by Pritzker Prize-winning architect Thom Mayne. Emerging from the same interests that shape the design philosophy of his internationally renowned architecture firm Morphosis, the works explore the tension between organizational systems and chance behavior, between the manual and digital, and between individual and collective authorship. Reproduced in exquisite detail, the intricate lithographic prints and digitally derived sculptural works--or "drawdels" for how they combine the notion of drawing and modelling--embody a search for forms and methods resonant with our contemporary state of instability and hyper-connection.


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Les mémoires inachevés d'un artiste européen
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Year: 1999 Publisher: Bruxelles : Académie royale de Belgique,

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Eric Owen Moss : the box.
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ISBN: 1568980337 Year: 1995 Publisher: New York Princeton architectural press


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"Nordic talking" : 4 1/2 years in studio with Kjetil Thorsen
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ISBN: 3211992146 3211992138 Year: 2009 Publisher: Springer Vienna

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Le Corbusier, l'oeuvre plastique : XIIe rencontre de la Fondation Le Corbusier
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ISBN: 2915456135 9782915456134 Year: 2005 Volume: *1

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Plus de 400 tableaux, des milliers de dessins et gravures, des tapisseries, des sculptures, des maquettes de livres, des photographies, des meubles...l'oeuvre plastique laissée par Le Corbusier apparaît aujourd'hui dans toute son ampleur et sa diversité. On en a souvent privilégié la relation avec son oeuvre architecturale. Il a semblé attester lui-même cette "fonction" servile en affirmant que la qualité de son travail dépendait de "ce labeur secret". Nul n'ignore pourtant qu'il souffrit de l'écho assourdi que suscita sa peinture : "Pour les amis, j'étais le peintre du dimanche." (quatrième de couverture)

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